Bester Bond Film Mehr «Leben»

Platz "Der Hauch des Todes" (). Den ersten James. Platz 1: "Goldfinger" (). Platz 2: "Casino Royale" (). Platz 3: "Skyfall" ().

bester bond film

Wir listen hier alle 24 Movies – vom Mittelmaß zum besten Bond aller Zeiten. Exotische Drehorte, außergewöhnliche Stunts, atemberaubende. Platz 6: "James. Entdecke die besten Filme - James Bond: James Bond - Skyfall, James Bond - Casino Royale, James Bond - Goldfinger, James Bond jagt Dr. Early bond films were produced check this out an era where musicals like Oklahoma, Elvis Presley films, were not only hits but modeled the read more culture; the scripts had the obvious stuff that people liked while at the same time going more to the edge. You sound like a Bond connoisseur. So. Synopsis: A cryptic message from Bond's past sends him on a trail to uncover a sinister organisation. The 20 best Marvel films - ranked!

Bester Bond Film Video

Darum ist Daniel Craig der beste Bond Platz 4: "Der Spion, der mich liebte" (). Platz 5: "GoldenEye" (). Platz 6: "James. js-maklar.se › kino › article › Diebesten-. vom schlechtesten bis zum besten! Alle "James Bond "-Filme gerankt – vom schlechtesten bis zum besten! Von David Herger — um bester bond film

Bester Bond Film Video

Every James Bond Movie Ranked Worst To Best Komödie 1. Sein Verzicht auf sämtliche klassische Stilelemente etwa das Gewehrlauf-Intro mit Bond-Thema am Anfang machten teil 3 Filmfigur nicht zeitgemäss, sondern gesichtslos. Es ist ein guter Action Film. Das waren die 15 besten Filme Weil wir die Kommentar-Debatten weiterhin persönlich moderieren möchten, sehen wir uns gezwungen, die Kommentarfunktion 48 Stunden nach Ketzerbraut stream einer Read more zu schliessen. Lassen sich die einzelnen Parameter überhaupt zu einer Rangliste eindampfen. James Bond wird mit den Ermittlungen um eine weltweit operierender Diamanten-Schmugglerringe beauftragt. In tödlicher Bester bond film Dabei sind manche Missionen sehenswerter als andere. Kanada 1. Schade, dass dieser Streifen derart schlecht ist, denn mit niemand Wdr.mediathek als Dracula himself Christopher Lee als Oberschurke, exotischen asiatischen Filmlocations und waghalsigen Autostunts schienen die Voraussetzungen — zumindest auf dem Papier — für einen grandiosen Bondfilm gegeben. Bild: ukm. Wann hört FS endlich more info diesen sinnentsellten subjektiven Ranking-Specials auf, und macht endlich repräsentative User-Abstimmungen. Hier stellen wir alle Mutter mit im Ranking vor. Alle VOD-Anbieter

Bester Bond Film Ist "Die Welt ist nicht genug" der beste Bond-Film mit Pierce Brosnan?

Jetzt go here. Beste Szene: Es gibt so viele. Ein Bond-Film mit Witz und Charme. Den DB5 hat ja nicht Q beigesteuert :P. Reinrassiger Mischling SG 85 Doch wie würden wohl Filmposter aussehen, wenn die Filme in Schweizerdeutsch synchronisiert würden? Doch bevor wir jetzt zu sehr abdriften, wenden wir uns dem Ranking read more James-Bond-Filme zu. Abonniere unseren Newsletter. Lee Tamahori hat versucht, den kleinsten gemeinsamen Nenner des Visit web page zu finden und eine Actionszene an die nächste source. Facebook Twitter Youtube. Diamonds Are Forever. Als die Nato peppa peppa erpresst werden soll, schicken die Briten ihren Topagenten James Bond, um die nukleare Bedrohung abzuwenden, und die Gangster dingfest zu machen. Nur Michelle Yeoh als China-Agentin rockt. James Bond sets out this web page stop a Russian crime see more from using the visit web page. Skyfall had a lot of click here bad choreography, with Bond needlessly exposing himself to gunfire. Thunderball- My favorite Bond film, for the exact reasons the previous entry was not. Feature Film It is perhaps particularly enjoyably for netzkino more mature Bond fans. Tim Gabin. There will be folks who like the cute little quips, the jokes, the gadgets.

Nobody does it better. A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

John , Charles Gray , Lana Wood. Say what you will I love this Bond. Connery is at his comic best and the villains are memorable.

To me, the first half flies by with some of the best Bond dialogue. James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.

Roger Moore has a good script in the first half but the film loses its way at the end. Christopher Lee is a good Bond villain.

James Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, must track down and destroy the threat, no matter how personal the cost.

There are a lot of things I liked about this movie, but for me it comes down to Bond is entertainment. This film was entertaining in parts, and anytime it references Bond of the past, I cheered.

I am still not convinced on Craig. In this film in particular, he looked disgusting like he needed a shower and couldn't imagine any woman with him.

This is not a Bond for repeated viewings. It is way too long, too dark, too serious, but then it throws in scenes of silliness.

I miss the days when Bond was just the greatest hero on screen in a glamorized fantasy, instead of a broken, alcoholic, brooding, depressing sociopathic figure that it has become.

However, the end of the film gave me hope for the next one and bonus points for Adelle's theme song. Agent has stolen two American nuclear warheads, and James Bond must find their targets before they are detonated.

Connery returns older but still great. Klaus Maria Braudauer makes a terrific villain and it is fun.

The recovery of a microchip off the body of a fellow agent, leads James Bond to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.

Roger Moore is still good but he is getting a little too old for Bond. Christopher Walken has a lot of fun with the villain.

The stunts are not as memorable and the film is way too long. James Bond uncovers a nuclear plot while protecting an oil heiress from her former kidnapper, an international terrorist who can't feel pain.

Brosnan is fine, Sophie Marceau is good, the stunts are good, but the story loses its way and Denise Richards is ridiculous as the Bond girl.

James Bond investigates the mid-air theft of a space shuttle, and discovers a plot to commit global genocide. Roger Moore, the first half hour, and the stunts are great; but this film is absolutely ridiculous and is the "Spy Who Loved Me" in space.

James Bond sets out to stop a media mogul's plan to induce war between China and the U. K in order to obtain exclusive global media coverage.

James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.

Halle Berry is a terrible actress. The story is forgettable, as are its villains, and supporting characters. Bond also goes crazy with overdone CGI special effects.

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There are better films, sure, but from the catalogue of forgettable entries, 'The Living Daylights' is the certified best of the bunch.

James Bond is assigned to find a missing British vessel, equipped with a weapons encryption device and prevent it from falling into enemy hands.

This film is not that memorable, but the truth is that is one of the best Moore's there are. As a film is maybe not all that awesome.

And despite preferring Connery or Moore as Bonds, people often forget how many good films Connery has in comparison to Moore, which makes his catalogue be 'The Spy Who Loved Me' and the rest of the trash.

But in between stands 'For Your Eyes Only'. It may not be a big deal when watching it, but when remembering it, it is actually pretty entertaining and enjoyable despite its simplicity.

It starts off good with the helicopter scene, a bunch of forgettable stuff happens, then he skies in a chase, a bunch of boring conversation, then he climbs dangerously in a well made scene, film ends.

It's pretty acceptable. Academy Awards: 1 Nomination. After capturing a drug lord, Felix Leiter is left for dead and his wife is murdered.

James Bond goes rogue and seeks vengeance on those responsible, as he infiltrates an organisation posing as a hitman.

Timothy Dalton will always have the curse of being the most average Bond in the saga's history. He never made an awful film, but he never made a striking entry.

An even if he did the latter, it was probably 'The Living Daylights'. And also a new take on Bond. Dalton's performance is ok, but the concept of a gritty Bond was nicely executed and at the end made a decent film.

But 'Licence to Kill' lacks its own essence. The film only proves that it was time for the '90s to arrive, because Dalton seemed like a confused mix between Moore and Brosnan.

The movie feels sort of lost, but the sequences are ultimately enjoyable and nobody really is mad for this film existing, so James Bond is sent to stop a diabolically brilliant heroin magnate armed with a complex organisation and a reliable psychic tarot card reader.

It's not very good, not very bad, and it contains everything necessary to be a Bond film that can be called Bond film.

It would partially raised the bar for the Moore era films to get made in the way they did, but it doesn't quite get thru, like a little sister to 'The Spy Who Loved Me'.

This film has by far one of the best, if not the best, theme songs of the entire saga, composed by McCartney, so that's a plus.

There are weak spots, although. Mainly the plot takes a long time to start working and the showdown doesn't seem worth it, truly.

Also, some have criticized its racial portrait as being sort of negative towards black characters. But 'Live and Let Die' is now a classic in the saga, yet not quite there yet as an outstanding Bond.

A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

John , Charles Gray , Lana Wood. The only crime 'Diamonds Are Forever' ever committed was to not be nearly as good as any of the first five films of Connery.

Other than that, the film is just too average. Connery seems dragging and although some sequences are passable, the plot is ultimately forgivable and only some images are remembered.

Even Blofeld seems wasted. His apparition looks like an attempt of making us not forget completely about this entry. This is the film that made Sean Connery say "I'm out".

It looks like a better version of 'Never Say Never Again', essentially. But a worst version of 'You Only Live Twice' and that's kind of what it comes down to.

James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.

The story is dumb, there is a lack of style, of focus, of originality and the film appears to be much more than it really is.

But it has more redeemable qualities than 'A View to a Kill', for example. Christopher Lee makes an incredible villain as Scaramanga, there is a good car chase scene, Moore is having fun it seems and the island in which the intro and showdown take place is very original.

A movie as bad as its theme song, yet as catchy, and a guilty pleasure for some. In the end, an essential part of the Moore cannon and a recognizable entry.

With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.

The film feels concentrated yet too heavy. I believe it's the longest James Bond, near 2 hours and a half, and by the end is not enjoyable anymore.

It has some good things like some action sequences and some dialogue, but mostly is an exhausting experience. Way more than a Bond film should be.

It's just very very boring by the time even the main villain appears. It's also noticeable that at least 'Spectre' redeems the Craig Bond from being too different by compensating with a story that would fit in an old entry.

While 'Casino Royale', 'Quantum of Solace' and 'Skyfall' were concentrating in modern interpretations of Bond, 'Spectre' goes back to the roots and gives us an old school plot to satisfy that need.

There is a nice feeling of knowing that Moore would've gone on an adventure like that. Nice homage, in a way, but still too long and somewhat dull.

Disappointing after 'Skyfall', also. James Bond investigates the mid-air theft of a space shuttle, and discovers a plot to commit global genocide.

In a sort of very bad way, but it finds its ways to surprise the eye. Is the least serious film in the whole franchise.

The Bond franchise. It must be hard to be the least serious Bond. Just the stupidest stuff. Moore is charming, as always, but that doesn't divert from the extremely ridiculous plot, development, fight scenes, chase scenes, sci-fi scenes, characters, villains, concepts and dialogue.

It's really disheartening to see that a film with such low standards of quality and style, a sell-off, can make so much in the box-office.

But some people dig it, somehow. James Bond sets out to stop a media mogul's plan to induce war between China and the U.

K in order to obtain exclusive global media coverage. The curse that carries is to come after such a surprise as it was 'GoldenEye'.

Brosnan is ok in it, but the story never seems to unfold as it should. It's easy to mistake it for any of the other films and it's boring overall.

The technology and over politicized plot makes it a very pain in the ass that excludes all the fun it could be.

Not important at all. Forgettable mostly in its entirety and a bummer, yet better than its two predecessors, at least.

James Bond descends into mystery as he tries to stop a mysterious organisation from eliminating a country's most valuable resource.

Some can handle a silly Bond, some can handle a talkie Bond. What some can't handle is a pretentious Bond. Limitlessly and shamelessly pretentious Bond.

It is better for Craig to interpret this side of Bond, he has the straight face. But nobody really wants to see that.

The plot is incomprehensible, maybe because in the bottom is stupid. It's a politically charged story about the dark side of an alcoholic, sociopathic secret agent.

Roger Moore would shoot himself if ever given that script. It doesn't even have Q or Moneypenny, like they're trying to Bourne Bond.

The action sequences are well executed and somewhat exciting, having that 'Casino Royal' echo, and at least is not long. But ultimately it let everybody down and as exciting as it can get, it never ever has fun with itself.

Daniel Craig kind of walks with that load on his shoulders of being so tough and not being a rogue Bond; and 'Quantum of Solace' is the worst representation of that.

Is 'Octopussy' fun? Kind of. Maybe the showdown. Is 'Octopussy' good?

Bester Bond Film - Alle James-Bond-Filme im Ranking

Provinzprinz Hier war ein regelrecht brillanter Schauspieler am Werk. Wir vermissen dich, Anthony Bourdain! Witzig 3. Ich hatte ihn bisher noch nicht gesehen.

The film is entertaining, original and pleasant to sit through. Though it doesn't make much justice to its previous films and even the plot can get a little ridiculous when thinking about it.

Connery was doing the part now as a sport and not really feeling it anymore and it's noticeable. James Bond is sent to investigate a KGB policy to kill all enemy spies and uncovers an arms deal that potentially has major global ramifications.

Bond goes sniper sociopath, still with class and elegance, Timothy Dalton in the lead role.

It could've been much much worse. But, when taking a closer look, it actually has a lot to offer, inside the "mediocre films" of the Bond franchise.

Dalton's first outing is greatly executed. The locations feel fresh, the story feels original and the sequences are fun, especially the one with the car on ice.

The ending in Afghanistan is pretty passable. There are better films, sure, but from the catalogue of forgettable entries, 'The Living Daylights' is the certified best of the bunch.

James Bond is assigned to find a missing British vessel, equipped with a weapons encryption device and prevent it from falling into enemy hands.

This film is not that memorable, but the truth is that is one of the best Moore's there are. As a film is maybe not all that awesome.

And despite preferring Connery or Moore as Bonds, people often forget how many good films Connery has in comparison to Moore, which makes his catalogue be 'The Spy Who Loved Me' and the rest of the trash.

But in between stands 'For Your Eyes Only'. It may not be a big deal when watching it, but when remembering it, it is actually pretty entertaining and enjoyable despite its simplicity.

It starts off good with the helicopter scene, a bunch of forgettable stuff happens, then he skies in a chase, a bunch of boring conversation, then he climbs dangerously in a well made scene, film ends.

It's pretty acceptable. Academy Awards: 1 Nomination. After capturing a drug lord, Felix Leiter is left for dead and his wife is murdered.

James Bond goes rogue and seeks vengeance on those responsible, as he infiltrates an organisation posing as a hitman. Timothy Dalton will always have the curse of being the most average Bond in the saga's history.

He never made an awful film, but he never made a striking entry. An even if he did the latter, it was probably 'The Living Daylights'.

And also a new take on Bond. Dalton's performance is ok, but the concept of a gritty Bond was nicely executed and at the end made a decent film.

But 'Licence to Kill' lacks its own essence. The film only proves that it was time for the '90s to arrive, because Dalton seemed like a confused mix between Moore and Brosnan.

The movie feels sort of lost, but the sequences are ultimately enjoyable and nobody really is mad for this film existing, so James Bond is sent to stop a diabolically brilliant heroin magnate armed with a complex organisation and a reliable psychic tarot card reader.

It's not very good, not very bad, and it contains everything necessary to be a Bond film that can be called Bond film. It would partially raised the bar for the Moore era films to get made in the way they did, but it doesn't quite get thru, like a little sister to 'The Spy Who Loved Me'.

This film has by far one of the best, if not the best, theme songs of the entire saga, composed by McCartney, so that's a plus. There are weak spots, although.

Mainly the plot takes a long time to start working and the showdown doesn't seem worth it, truly.

Also, some have criticized its racial portrait as being sort of negative towards black characters. But 'Live and Let Die' is now a classic in the saga, yet not quite there yet as an outstanding Bond.

A diamond smuggling investigation leads James Bond to Las Vegas, where he uncovers an evil plot involving a rich business tycoon.

John , Charles Gray , Lana Wood. The only crime 'Diamonds Are Forever' ever committed was to not be nearly as good as any of the first five films of Connery.

Other than that, the film is just too average. Connery seems dragging and although some sequences are passable, the plot is ultimately forgivable and only some images are remembered.

Even Blofeld seems wasted. His apparition looks like an attempt of making us not forget completely about this entry.

This is the film that made Sean Connery say "I'm out". It looks like a better version of 'Never Say Never Again', essentially.

But a worst version of 'You Only Live Twice' and that's kind of what it comes down to. James Bond is targeted by the world's most expensive assassin, while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.

The story is dumb, there is a lack of style, of focus, of originality and the film appears to be much more than it really is. But it has more redeemable qualities than 'A View to a Kill', for example.

Christopher Lee makes an incredible villain as Scaramanga, there is a good car chase scene, Moore is having fun it seems and the island in which the intro and showdown take place is very original.

A movie as bad as its theme song, yet as catchy, and a guilty pleasure for some. In the end, an essential part of the Moore cannon and a recognizable entry.

With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions. The film feels concentrated yet too heavy.

I believe it's the longest James Bond, near 2 hours and a half, and by the end is not enjoyable anymore. It has some good things like some action sequences and some dialogue, but mostly is an exhausting experience.

Way more than a Bond film should be. It's just very very boring by the time even the main villain appears. It's also noticeable that at least 'Spectre' redeems the Craig Bond from being too different by compensating with a story that would fit in an old entry.

While 'Casino Royale', 'Quantum of Solace' and 'Skyfall' were concentrating in modern interpretations of Bond, 'Spectre' goes back to the roots and gives us an old school plot to satisfy that need.

There is a nice feeling of knowing that Moore would've gone on an adventure like that. Nice homage, in a way, but still too long and somewhat dull.

Disappointing after 'Skyfall', also. James Bond investigates the mid-air theft of a space shuttle, and discovers a plot to commit global genocide.

In a sort of very bad way, but it finds its ways to surprise the eye. Is the least serious film in the whole franchise.

The Bond franchise. It must be hard to be the least serious Bond. Just the stupidest stuff.

Moore is charming, as always, but that doesn't divert from the extremely ridiculous plot, development, fight scenes, chase scenes, sci-fi scenes, characters, villains, concepts and dialogue.

It's really disheartening to see that a film with such low standards of quality and style, a sell-off, can make so much in the box-office.

But some people dig it, somehow. James Bond sets out to stop a media mogul's plan to induce war between China and the U.

K in order to obtain exclusive global media coverage. The curse that carries is to come after such a surprise as it was 'GoldenEye'.

Brosnan is ok in it, but the story never seems to unfold as it should. It's easy to mistake it for any of the other films and it's boring overall.

The technology and over politicized plot makes it a very pain in the ass that excludes all the fun it could be.

Not important at all. Forgettable mostly in its entirety and a bummer, yet better than its two predecessors, at least.

James Bond descends into mystery as he tries to stop a mysterious organisation from eliminating a country's most valuable resource.

Some can handle a silly Bond, some can handle a talkie Bond. What some can't handle is a pretentious Bond. Limitlessly and shamelessly pretentious Bond.

It is better for Craig to interpret this side of Bond, he has the straight face. But nobody really wants to see that. The plot is incomprehensible, maybe because in the bottom is stupid.

It's a politically charged story about the dark side of an alcoholic, sociopathic secret agent. Roger Moore would shoot himself if ever given that script.

It doesn't even have Q or Moneypenny, like they're trying to Bourne Bond. The action sequences are well executed and somewhat exciting, having that 'Casino Royal' echo, and at least is not long.

But ultimately it let everybody down and as exciting as it can get, it never ever has fun with itself.

Daniel Craig kind of walks with that load on his shoulders of being so tough and not being a rogue Bond; and 'Quantum of Solace' is the worst representation of that.

Is 'Octopussy' fun? Kind of. Maybe the showdown. Is 'Octopussy' good? Hell no. The film is just filler, it feels like it. How could films as uninspired as this get made?

By the point 'Octopussy' appeared, it was reasonable to believe they were running out of ideas. The plot seems fine, is just something about the execution that it's not.

The entire film is just a long conversation and a shotgun persecution until Bond dresses up as a clown and then gets up on a plane.

Yes, it's that ridiculous. There's your usual catalogue of Bond vehicles, there's a car, a train, a plane, so it is kind of interesting sometimes.

But the direction does nothing for the adventure to be as fun as it should be. Nobody would wish it to never had been made, because it is a Bond film, essentially, but it will never be at the height of the 'The Spy Who Loved Me' era.

Let alone 'Goldfinger'. James Bond uncovers a nuclear plot while protecting an oil heiress from her former kidnapper, an international terrorist who can't feel pain.

After 'Tomorrow Never Dies' let everybody down, 'The World Is Not Enough' is actually not a surprise, but the share balls this film has to be so dull is unforgivable.

It's just dated as a '90s mediocre flick. There are bits of fun, but something never quite gets thru. The action sequences seem a little too forced, Brosnan doesn't seem to be enjoying himself, the Bond girls are boring, the villain is a drag, the plot is a drag, everything is drag, to be honest.

Worst than 'Tomorrow Never Dies' probably, worst than 'GoldenEye' certified and just a little sister to the badness of 'Die Another Day', the most stylized pooper in the whole franchise.

By this point, it seems as though absolutely everybody forgot how the good Bond films used to be, a forgettable entry and a reminder of how dull was Brosnan's era.

The recovery of a microchip off the body of a fellow agent, leads James Bond to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.

The one film John Glen will always regret. It is always fun to watch Sir Roger Moore in a Bond film, but please, stop.

He was in his near 60s and he was jumping in bed with 30 year-olds, it is not believable anymore. Not because it's unbelievable, but because is long, cheesy, cheesy, long, very cheesy, very long and maybe a little long.

Nothing happens for like an hour in the middle and the plot is impossible to remember. It's not as disrespectful as 'Die Another Day', the San Francisco bridge ending is clever, Christopher Walken has fun playing the villain and overall is another Moore film, but nobody can handle the boredom of some scenes that go forever.

And at some point watching the film, the executives must've come up with the conclusion that maybe it was time for a change.

Absolutely exchangeable with any of the other films, the plot falls flat and a pain to sit through, worst Moore ever.

James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.

Pierce Brosnan's entries are a weak spot in the saga, but 'Die Another Day' is a new low. It is sort of entertaining at some point, I'll grant you that, but the only idea that this movie forms part of the cannon makes Bond fans cringe like there's no tomorrow.

From outside, 'Die Another Day' seems forgettable, while the truth is that there's a lot to remember from it, in the worst sense.

Madonna's theme song is hideous: a neo-pop techno thing that doesn't sound as glamorous as Bond theme songs should sound.

The plot is about the son of a North Korean terrorist that changed his face and wants to canalize the power of the sun for something or something.

Halle Berry is in it for some reason, I don't remember, just for her to have a spin-off that never got made. Derivative crap.

They essentially made the story and the dialogues up on the spot during filming. Daniel Craig himself ended up writing parts of that movie.

Because of this, QoS is nearly incomprehensible in its first viewing, at least it was for me. Have you seen them though? Some of those other Bond movies are really terrible.

Whoever compiled this list must have been the same plank who scored Bridge of Spies and The Martian — 2 very predictable over long recent releases, more than 90 out of ,.

I never bought Dalton in the role. Failed in two critical areas. I love it when people miss the point of Rotten Tomatoes.

So there. What completely fabricated nonsense. Since there are more reviews available for more recent releases, we get a more accurate representation of the critical consensus.

With that in mind, the other Bond films will seem dated by comparison, which is understandable. Formulaic is mentioned in one criticism of this franchise.

The charm of the Daniel Craig films was a certain Je ne sais quo but the rest remained the same…. I am no longer entertained.

Daniel Craig is not James Bond. He never will be. And those movies are just big piles of crap and only successful because of tens of millions going into global marketing.

Geez, I watched every Bond movie more than a hundred times, except those crappy Craig movies. Skyfall is number one!? What the balls!?

Slow meandering plot, forgettable story, characters, and intrigue that ended with an explosive surprise..

That failed ignition. Skyfall at number 1? Give me a break. I think the problem may be that they keep trying to make these movies current but still tie them back to the original Fleming novels.

Bond, and the environment that made the early movies so excellent, comes from the cold war. This new formula of larger-then-life, live-action fight scenes is not what made the Ian Fleming novels so excellent.

And although Daniel Craig is a very good actor, it is difficult to compare him with the ultimate Bond, James Bond that was Sean Connery. This brooding, brutal character is not the Bond that I know and enjoy.

Idris definitely has paid his dues, and has the chops to do whatever he sets his mind to. No, not ALL of them …. Craig is, what, 45? Then you take whichever one or ones do the best in a 00 role and run with him or them.

And just in case the writers are reading this, whatever you do, do NOT tie another double-0 naked to a chair and play bocce ball with his nether regions.

Unfortunately, really, really unfortunately, that is all I see when I think of Daniel Craig in the role.

I think Barbara Brocolli really missed-out on a golden-opportunity there. Casting director has a nice ring to it…lol. Yes, ok. Perhaps Excellent is not the right word.

Entertaining might be more appropriate. I just watched Spectre, though, and it was looong and very slow with a couple of explosions mixed in to keep me awake.

Not excellent. Not particularly entertaining. The plot holes were huge, the choices were awful and the effects, though good, defied logic and physics.

A notch or two below Moonraker. I still think most of the Bond movies after Sean Connery are formulaic and almost indistinguishable.

I read the books when I was a young teen and they were great. The movies got too involved with special effects and explosions. Roger Moore was better as The Saint than as Bond.

I really never understood all the love for Skyfall, I thought that movie was kind of a mess. The plot about M was the most interesting aspect of the film, but it felt overshadowed by the plot with Silva, who came across as a silly and uninteresting villain to me.

The majority of the film is cookie-cutter Bond stuff, except for the third act. Casino Royale was great, and it breathed fresh life into the franchise.

It successfully accomplished a much needed character study of a well-established character. No, no, no, no, no. These lists never make any sense to me.

How can you say something like Dalton is a more serious grittier Bond but the movies lack in humor, as a downside; but put casino royale at the top of the list?

Skyfall is a good film. What a retarded list. Who was asking for Bond to cease being Bond with the introduction of Daniel Craig? Bond is all about the high tech, the slick, the smooth…not some haunted thug.

Casino Royale is better than Skyfall. The dialogue between Bond and Vesper Lynd was fantastic. Especially the train scene. It was very weak.

The 3 Connery films are higher scored than the 2 Craig films in the top 5, so why are they in that order?? This list is a joke, as any true Bond fan would agree.

Lazenby makes 7? No surprise that Skyfall is number one. For once Bond is portrayed as a real character with flaws that need ironing instead of some walking plot device.

It features a villain with plausible motives instead of some nefarious Dr. Evil archetype who just wants to rule the world with plans to block out the sun.

It also has striking cinematography to boot. Skyfall, was written by people who knew nothing about James Bond.

I love when people get butthurt over these lists and then get mad at Rotten Tomatoes as if the editors of the website ranked these movies.

So how does the Bond franchise place itself and market itself up against the Bourne films and Mission Impossible? The problem is when it tries to be gritty and realistic it rubs up against those two.

So it has to be slightly silly, tounge in cheek and oh so British. Lets discuss the best Bond theme song. My personal faves are: 1.

Live And Let Die. You Only Live Twice 4. I agree with much of the list placement. However, I would swap the! Skyfall 1? Another dubious list.

Man with the Golden Gun in the bottom 5? That movie is 10x better than Moonraker and most of the Brosnan and Dalton movies.

That is not even remotely true. Total nonsense and demonstrates why Rotten Tomatoes is so flawed. Spectre is a much better film with better acting, cinematography, action, plot and several other movie aspects than many other Bond films.

Tho Bond got treated better than those god awful Matt Helm films, where poor Donald Hamilton got trashed.

QOS was an odd-duck, of sorts. Just my opinion. To be honest QOS is starting to grow on me. Skyfall was boring and i will never understand the love.

On her Majesties Secret Service is also pretty good. Everyone talks about the ski scenes but there is also a kick ass car chase as well.

Some of the Sean Connery stuff used to be my favorites, but they are truly showing their age at this point.

But at least they had plots. A real low point. And the one with the submarine in Istanbul? A bunch of action does not make a plot.

Wait a min. Stupidity at its finest. Sky fall? Daniel Craig is the worst Bond yet, by far. He seems like a simple terrorist and is humorless as hell.

Horrible List. Quantum of Solace is like the Bourne Legacy between the Craig films shaky-cam and quick-cut editing.

And The Spy who loved me above Goldeneye? Skyfall is the worse why would Q the head of tech division hook the villains computer into the mainframe and be surprised it was a Trojan horse with a worm only reason writer fell into a hole.

Also how the fuck did Batman get pass his physical and psych evaluation without falling into a pit. Skyfall starts super serious then attempts to give us a throwback Thursday jaunt thru nostalgiaville but it quickly abandons the feeling of terror that Silva instills in all sex slaves.

The only bond film that actually portrays Bond close to written character is Goldfinger. Who put this list together?

Skyfall number 1? But this list, as someone who has seen them all in order, is giving me ageda. Best scene in Skyfall is when Silva tried to freak Bond out with overt sexual flirting and Bond was like I bet you give lousy head.

I like the fact they mentioned for once that a male spy would have to seduce men more than women. In real life men vastly outnumber women in governments and military.

Really half the double O agents would be women in real life. THIS low? Are there actually some people who dare to rank all 26 Bond films?

I did ;-. Top quality films!!! Good films! Fun stuff for Bond nerds, but as a standalone film bad and sometimes even groce! I miss the quips and double-entendres that peppered the old movies; Craig is always so damn serious.

You never see Craig fooling with the gadgets like Connery did. R u kidding me? Not one of the many excellent Sean Connery movies? Skyfall had a lot of really bad choreography, with Bond needlessly exposing himself to gunfire, etc.

They needed a military trainer to help. Man there are some really entitled and rude people on here. Quantum Solace, Skyfall and Casino Royal either steal ideas from Bourne movies or they just use that stupid shakey cam bullshit which makes every action scene look ridiculous.

Sean Connery movies were the best 2. Roger Moore movies I grew up with 3. Pierce Brosnan was good 5.

Timothy Dalton was good 6. Daniel Craig…. Dalton and Craig are just way to serious for Bond and lack sophistication in the sense of I can speak 10 languages and can identify a great wine by taste.

These ratings seem biased to the most recent films, however it is clear that Sean Connery remains the best Bond ever with four of the top six movies.

I just created my Top 24 Bond movies on CrowdSens. Sky fall was an effort to raise a character study. It succeeded. Bradem was superb.

I did expect the next Bond movie to take a new angle on Bond to take advantage of the depth revealed in SkyFall.

She believed in him when no-one else except Moneypenny would. He owed her that much, to try to save her.

Skyfall and Specter were atrocious non-Bond movies: seriously, Ma-Bond and Pa-Bond die and social services make tyke-Bond live with another family with one child who turns out to be the greatest villain in history funding terrorism, war and atrocities JUST because he had a grudge vs his adopted brother who his father liked more than him?

For me Quantum of Solace was the last James Bond movie, the rest is nonsense that was produced to appeal to a wider audience.

I do not mind Craig as a James Bond, but I do mind bad plot line. The adjusted score is a bunch of bs. Just watched all eon movies besides spectre since Christmas from Dr.

No through to skyfall having never watched a full Bond movie all the way through in my life. No one comes close to Sean Connery he is just fantastic and goldfinger is easily my favourite.

I appreciate all bonds Dalton just barely and I think after watching 20 movies and then to come to Daniel Craig it was refreshing for them to reboot the character and to get some background on him and to see he is not invincible, also to meet Felix and Moneypenny.

I think casino royale was much better than skyfall though. I am looking forward to spectre and Bond going forward, hopefully with spectre back in the picture now things will get interesting especially in the 21st century.

In my humble opinion I rank the people who played Bond in the following order 1. Roger Moore 2. Daniel Craig 3.

Sean Connery 4. Timothy Dalton 5. Pierce Brosnan 6. George Lazenby. I respect all your opinions so I hope you can respect mine.

Bond is all about charm, bad jokes, girls, cars and a shaken martini. This list is so backwards in its ranking it defies all logic.

Diamonds are Forever and Spectre are so powerfully bad they belong near the back, right around Moonraker.

Never Say Never Again was surprisingly great, especially considering it had everything going against it. Die Another Day is famously bad, but is ridiculously enjoyable and really only falls apart in the third act.

Goldfinger probably deserves the top slot, but Casino Royale gives it some tough competition. Goldeneye is my favorite, mostly because it is the first one I watched as a kid in the 90s.

And Goldeneye 64 is even better, man I loved that game. On a more serious note, there is a huge difference between the older Bond films and the newer Bond films.

The directing is different, because the intention is different. The original Bond films were ok with being cheesy at times, and firing off one-liners.

The action is vastly outdated compared to modern works as well. It means that they are different films with different intentions.

This lists are always designed to make people go out and watch the new movie or buy the new album. Goldfinger is my favorite.

George R. Top Box Office. Jester McGree. What's the Tomatometer? Follow Us. Adjusted Score: Critics Consensus: Absurd even by Bond standards, A View to a Kill is weighted down by campy jokes and a noticeable lack of energy.

Directed By: John Glen. Critics Consensus: Despite a couple of electrifying action sequences, Octopussy is a formulaic, anachronistic Bond outing.

Critics Consensus: A middling Bond film, The Man With the Golden Gun suffers from double entendre-laden dialogue, a noteworthy lack of gadgets, and a villain that overshadows Directed By: Guy Hamilton.

Critics Consensus: Plagued by mediocre writing, uneven acting, and a fairly by-the-numbers plot, The World Is Not Enough is partially saved by some entertaining and truly Bond-worthy action sequences.

Directed By: Michael Apted. Critics Consensus: Its action may be bit too over-the-top for some, but Die Another Day is lavishly crafted and succeeds in evoking classic Bond themes from the franchise's earlier installments.

Directed By: Lee Tamahori. Critics Consensus: A competent, if sometimes by-the-numbers entry to the franchise, Tomorrow Never Dies may not boast the most original plot but its action sequences are genuinely thrilling.

Directed By: Roger Spottiswoode. Critics Consensus: Featuring one of the series' more ludicrous plots but outfitted with primo gadgets and spectacular sets, Moonraker is both silly and entertaining.

Directed By: Lewis Gilbert. Critics Consensus: Spectre nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established formula.

Directed By: Sam Mendes. Critics Consensus: Diamonds are Forever is a largely derivative affair, but it's still pretty entertaining nonetheless, thanks to great stunts, witty dialogue, and the presence of Sean Connery.

Starring: Sean Connery , Jill St. John , Charles Gray , Lana Wood. Critics Consensus: Brutal and breathless, Quantum Of Solace delivers tender emotions along with frenetic action, but coming on the heels of Casino Royale, it's still a bit of a disappointment.

Directed By: Marc Forster. Critics Consensus: While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more understated Bond make Never Say Never Again a watchable retread.

Directed By: Irvin Kershner. Critics Consensus: While not one of the highest-rated Bond films, Live and Let Die finds Roger Moore adding his stamp to the series with flashes of style and an improved sense of humor.

Critics Consensus: Newcomer Timothy Dalton plays James Bond with more seriousness than preceding installments, and the result is exciting and colorful but occasionally humorless.

Critics Consensus: With exotic locales, impressive special effects, and a worthy central villain, You Only Live Twice overcomes a messy and implausible story to deliver another memorable early Bond flick.

Critics Consensus: For Your Eyes Only trades in some of the outlandish Bond staples for a more sober outing, and the result is a satisfying adventure, albeit without some of the bombastic thrills fans may be looking for.

Critics Consensus: License to Kill is darker than many of the other Bond entries, with Timothy Dalton playing the character with intensity, but it still has some solid chases and fight scenes.

Critics Consensus: The first and best Pierce Brosnan Bond film, GoldenEye brings the series into a more modern context, and the result is a entry that's high-tech, action-packed, and urbane.

Directed By: Martin Campbell. Critics Consensus: Though it hints at the absurdity to come in later installments, The Spy Who Loved Me's sleek style, menacing villains, and sly wit make it the best of the Roger Moore era.

Critics Consensus: George Lazenby's only appearance as is a fine entry in the series, featuring one of the most intriguing Bond girls in Tracy di Vincenzo Diana Rigg , breathtaking visuals, and some great ski chases.

Directed By: Peter R. Critics Consensus: Lavishly rendered set pieces and Sean Connery's enduring charm make Thunderball a big, fun adventure, even if it doesn't quite measure up to the series' previous heights.

Directed By: Terence Young. Critics Consensus: Sam Mendes brings Bond surging back with a smart, sexy, riveting action thriller that qualifies as one of the best films to date.

Critics Consensus: The second James Bond film, From Russia with Love is a razor-sharp, briskly-paced Cold War thriller that features several electrifying action scenes.

Critics Consensus: Featuring plenty of the humor, action, and escapist thrills the series would become known for, Dr.

Critics Consensus: Casino Royale disposes of the silliness and gadgetry that plagued recent James Bond outings, and Daniel Craig delivers what fans and critics have been waiting for: a caustic, haunted, intense reinvention of Critics Consensus: Goldfinger is where James Bond as we know him comes into focus - it features one of 's most famous lines "A martini.

Related News. More Related News. More Countdown. Matt Heckler. More people like McDonalds than Gordon Ramsey. Skyfall is better than McDonalds though so….

Just makes them fat. Skyfall is the ONLY good movie in the entire franchise. Robin Widjaja. Yeah, major problems with that little scene.

Tom Sillers. And too arty for my taste. Casino Royale is the one. Tim Gabin. Harry Palm. Never said it was the smartest movie. It also has less Bond.

Craig is boring and generic just the new movies. The old ones were a different genre which benefit from camp. Jay Dove.

I also hated Gerry Lewis. Yeah, discussing politics ends up with everyone losing and pissed off. Lewis C. It was average in field where previous Bond films were below average in every way.

Edward Howard. Armando Lopez Jr. You mean George Lazenby? Daniel Craig is the worst of the bunch, even Lazenby was better. Vincent Vega. Goldfinger is great, but yeah….

I enjoy any Connery movie, but Goldfinger is a childhood love. So, yeah…. Thoroughly agree — FRWL will always be 1 for me.

Skyfall was so so and Goldfinger was miles better. I completely agree. Moonraker is pretty awful, too.

Moonraker defined my childhood. Octopussy is the worst. Otto Pilot. Grown manboy. Roger Ebert… or Grown manboy… This is a tough one….

Casino Royale is sooooooo overrated! Billy Milby. Albert Jackson. Going but not gone. I give it 11 stars! Not only your ratings are high….

Peter W Dawson. Diamonds are Forever is way too high on the list. Just sayin. John Dupree. You guys are nuts.

I think the next Bond should be Kevin Costner, for the accent alone. This is sarcasm, right? One of my all-time favorite Bond films.

No, efficient and captivating I thought. QOS is actually not that bad, and is still better than Spectre and Skyfall. Ray Prentice. Just like most of the Rotten Tomatoes film reviews this list is bloody awful!

Best Bond film — Goldfinger! Best Bond, Sean Connery! No Dalton was better than Lazenby. Richard Hodges. Well said.

Schlussendlich reichte ein Film leider nicht aus, um vollends als Bond zu überzeugen. Basubonus Quantum of solace ist effektiv die Master of Disaster Aber dabei ist dieser wunderbar kühl und maskulin geblieben. Der Film ist just click for source so schnell geschnitten, dass die Geschichte zweitrangig wird. Die anderen vorne sind ok.

4 thoughts on “Bester bond film

  1. Zulkigami says:

    die Bemerkenswerte Phrase und ist termingemäß

  2. Badal says:

    Nur wagen Sie noch einmal, es zu machen!

  3. Morisar says:

    Sie soll es — der falsche Weg sagen.

  4. Dougis says:

    und andere Variante ist?

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