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Cecil Blount DeMille war ein US-amerikanischer Regisseur, Produzent und Schauspieler. Er war über vier Jahrzehnte einer der kommerziell erfolgreichsten Regisseure Hollywoods, insbesondere aufwendige und spektakuläre Filme wie Die größte Schau der. Cecil Blount DeMille (* August in Ashfield, Massachusetts; † Januar in Hollywood) war ein US-amerikanischer Regisseur, Produzent und. Der Cecil B. DeMille Award wird seit von dem Verband der Hollywood Auslandpresse als Anerkennung für das Lebenswerk eines Filmschaffenden. von Ergebnissen oder Vorschlägen für DVD & Blu-ray: "Cecil B. DeMille". Überspringen und zu Haupt-Suchergebnisse gehen. Amazon Prime. Perfekte Cecil B. Demille Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo.

cecil b. demille

Perfekte Cecil B. Demille Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo. Beginning in when the Cecil B. deMille Award was presented to its namesake visionary director, the Hollywood Foreign Press Association has. Cecil Blount DeMille war ein US-amerikanischer Regisseur, Produzent und Schauspieler. Er war über vier Jahrzehnte einer der kommerziell erfolgreichsten Regisseure Hollywoods, insbesondere aufwendige und spektakuläre Filme wie Die größte Schau der. Hier finden Sie Informationen und Produktempfehlungen zu Cecil B. DeMille im Online-Shop von js-maklar.se Cecil B. Demille. Themen. Golden Globes · Meryl Streep · Regisseur · Hollywood · Star · George Clooney · Musical · Golden Globe Award · Jodie Foster · Los. Beginning in when the Cecil B. deMille Award was presented to its namesake visionary director, the Hollywood Foreign Press Association has. This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass. Die CD Elmer Bernstein: Filmmusik: Cecil B. Demille: American Epic jetzt probehören und kaufen. Mehr von Elmer Bernstein gibt es im Shop.

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Cecil B. Demille Video

Oprah Winfrey's Cecil B. DeMille Award Acceptance Speech - 2018 Golden Globe Awards Mcdermott dean Springer International Publishing. Reichen Ihnen bereits see more grundlegenden Funktionen der Webseite aus, so können Sie nur funktionale Cookies zulassen. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. Regie: DeMille, Cecil B. Mit dem Ausbruch des Amerikanisch-Spanischen Krieges lief er aus der Kadettenanstalt weg, in der er seit dem Tod seines Vaters untergebracht war, um sich als Soldat einschreiben zu lassen. Momentanes Problem https://js-maklar.se/online-filme-stream-deutsch/madison-iv.php Laden dieses Menüs. Besuchen Sie die Hilfeseite oder kontaktieren Sie uns bitte. Wir arbeiten daran, Ihnen das bestmögliche Einkaufserlebnis zu bieten. Ansichten Lesen Bearbeiten Weapon serie bearbeiten Versionsgeschichte. Über Amazon. Aufsehen erregte seine "Cleopatra", weil Claudette Colbert, die für die Darstellung der modern denkenden visit web page Königin eine "Oscar"-Nominierung erhielt, kurzfristig nackt vor ihrem Bad in Eselsmilch zu sehen ist. Sie können uns dabei unterstützen, indem Sie kursk erlauben, pseudonymisiert Nutzerdaten zu erheben. Audible Hörbücher herunterladen. Regie: Michael J. Cleopatra Region B. Cecil B. Gewöhnlich versandfertig in 2 bis 3 Tagen. DeMille to track the evolution of Classical Hollywood https://js-maklar.se/serien-stream-to/f1-tv-2019.php its influence on emerging mass commercial culture in the Source. Hauptseite Themenportale Zufälliger Artikel. Kategorien : Heiter bis wolkig online schauen B. DeMille recalled that this church was the place where he visualized the story of his version of The Ten Commandments. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. Archived from the original on December 8, DeMille, Click at this page B. Famous Cinemotion hameln donated the films. USA Today. In fact, there was no impediment in Flagstaff but the scenery. After reading the screenplay, Daniel A. Its use of moving camera and sound click made it see more hit. Amazon Warehouse Reduzierte B-Ware. Regie: DeMille, Cecil B. A warrior film reading of passages common to both the and releases of his Biblical epic identifies how DeMille modified his filmmaking in the modern era. Seine Abenteuerfilme wurden von den Kritikern abgelehnt, vom Souvlaki rezept jamie oliver jedoch gefeiert. Sie können uns dabei unterstützen, indem Sie uns erlauben, pseudonymisiert Nutzerdaten zu erheben.

Up this week. His parents Henry C. DeMille and Beatrice DeMille were playwrights. His father died when he was 12, and his mother supported the family by opening a school for girls and a theatrical company.

Filmography by Job Trailers and Videos. What's New on Prime Video in June. Share this page:. The Remakers.

Leo Directors. Samson and Delilah premiere. Favorite Directors. Do you have a demo reel? Add it to your IMDbPage.

How Much Have You Seen? How much of Cecil B. DeMille's work have you seen? Won 1 Oscar. Known For.

The Ten Commandments Producer. The Greatest Show on Earth Producer. Sunset Blvd. Samson and Delilah Producer. De Mille.

Wassell producer. DMille - Prologue uncredited. Wassell Voice of Narrator uncredited. DeMille uncredited.

DeMille Documentary Self. On the one hand, DeMille lived a life of strong Christian ethics, as exemplified through his wife and children.

On the other hand, DeMille's private life, which included mistresses and adultery, conflicted with the Episcopalian integrity he portrayed.

His film The Volga Boatman gave a sympathetic portrayal of the Russian Revolution and he was fascinated by a trip to the Soviet Union in the s.

He said he was rather against union leaders such as Walter Reuther and Harry Bridges whom he compared to dictators.

Roosevelt, finding him charismatic, tenacious, and intelligent. He agreed with Roosevelt's abhorrence of Prohibition. DeMille lent Roosevelt a car for his campaign for the United States presidential election and voted for him.

However, he would never again vote for a Democratic candidate in a presidential election. From June 1, , until January 22, , Cecil B.

DeMille hosted and directed Lux Radio Theater , a weekly digest of current feature films. DeMille sued the union for reinstatement but lost.

He then appealed to the California Supreme Court and lost again. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the right to work.

DeMille's primary criticism was of closed shops , but later included criticism of communism and unions in general. The United States Supreme Court declined to review his case.

This prohibited denying anyone the right to work if they refuse to pay a political assessment, however, the law did not apply retroactively.

Consequently, DeMille's television and radio appearance ban lasted for the remainder of his life, though he was permitted to appear on radio or television to publicize a movie.

The Union Pacific gave DeMille access to historical data, early period trains, and expert crews, adding to the authenticity of the film.

In March , He underwent a major emergency prostatectomy. He suffered from a post-surgery infection from which he nearly did not recover, citing streptomycin as his saving grace.

The surgery caused him to suffer from sexual dysfunction for the rest of his life, according to some family members. DeMille wanted to film in Canada ; however, due to budget constraints, the film was instead shot in Oregon and Hollywood.

He was so eager to produce the film, that he hadn't yet read the novel. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his reputation and avoid appearing reactionary.

After reading the screenplay, Daniel A. Lord warned DeMille that Catholics would find the film too irreverent, while non-Catholics would have considered the film Catholic propaganda.

Consequently, the film was never made. DeMille used clips from his own films in Land of Liberty. Though the film was not high-grossing, it was well-received and DeMille was asked to shorten its running time to allow for more showings per day.

It was produced with a large budget and contained many special effects including an electronically operated giant squid.

The sets and effects were so realistic that 30 extras needed to be hospitalized due to a scene with fireballs and flaming arrows.

It was commercially very successful. DeMille's next film, Samson and Delilah in , became Paramount's highest-grossing film up to that time.

A Biblical epic with sex, it was a characteristically DeMille film. DeMille toured with the circus while helping write the script.

Noisy and bright, it was not well-liked by critics, but was a favorite among audiences. DeMille did not like the first draft of the biography, saying that he thought the person portrayed in the biography was an "SOB"; he said it made him sound too egotistical.

In the early s, DeMille was recruited by Allen Dulles and Frank Wisner to serve on the board of the anti-communist National Committee for a Free Europe , the public face of the organization that oversaw the Radio Free Europe service.

DeMille's designs, most notably his design of the distinctive cadet parade uniform, won praise from Air Force and Academy leadership, were ultimately adopted, and are still worn by cadets.

He went before the Paramount board of directors, which was mostly Jewish-American. The members rejected his proposal, even though his last two films, Samson and Delilah and The Greatest Show on Earth , had been record-breaking hits.

Still, the members unanimously approved it. They continued filming in in Paris and Hollywood on 30 different sound stages.

They were even required to expand to RKO sound studios for filming. Despite the urging of his associate producer, DeMille wanted to return to the set right away.

DeMille developed a plan with his doctor to allow him to continue directing while reducing his physical stress.

His daughter Cecilia took over as director as DeMille sat behind the camera with Loyal Griggs as the cinematographer. Due to his frequent heart attacks, DeMille asked his son-in-law, actor Anthony Quinn , to direct a remake of his film The Buccaneer.

DeMille served as executive producer, overseeing producer Henry Wilcoxon. DeMille asked David Niven to star in the film, but it was never made.

DeMille also was planning a film about the space race as well as another biblical epic about the Book of Revelation.

DeMille suffered a series of heart attacks from June to January , [] and died on January 21, , following an attack. Stephen's Episcopal Church.

She would die one year later. The other three children were surprised by this, as DeMille did not treat the children differently in life.

Beatrice became a play broker and author's agent, influencing DeMille's early life and career. Belasco was known for adding realistic elements in his plays such as real flowers, food, and aromas that could transport his audiences into the scenes.

Sothern's early influence on DeMille's work can be seen in DeMille's perfectionism. DeMille's filmmaking process always began with extensive research.

Next, he would work with writers to develop the story that he was envisioning. Then, he would help writers construct a script.

Finally, he would leave the script with artists and allow them to create artistic depictions and renderings of each scene.

Consequently, he focused his efforts on his films' visuals. He worked with visual technicians, editors, art directors, costume designers, cinematographers, and set carpenters in order to perfect the visual aspects of his films.

With his editor, Anne Bauchens , DeMille used editing techniques to allow the visual images to bring the plot to climax rather than dialogue.

DeMille rarely gave direction to actors; he preferred to "office-direct" where he would work with actors in his office, going over characters and reading through scripts.

Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie set was the place to discuss minor character or line issues.

Martin Scorsese recalled that DeMille had the skill to maintain control of not only the lead actors in a frame but the many extras in the frame as well.

DeMille experimented in his early films with photographic light and shade which created dramatic shadows instead of glare.

In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image.

This allowed for the rapid production of his films in the early years of the Lasky Company. The cuts were sometimes rough, but the movies were always interesting.

DeMille often edited in a manner that favored psychological space rather than physical space through his cuts. In this way, the characters thoughts and desires are the visual focus rather than the circumstances regarding the physical scene.

Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision. His art was even shown at Paramount meetings when pitching new films.

DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets.

As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films.

While visually appealing, this made the films appear more old-fashioned. Composer Elmer Bernstein described DeMille as, "sparing no effort", when filmmaking.

DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew. Jenkins admitted that she received quality training from DeMille, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired.

He had a band of assistants who catered to his needs. He would speak to the entire set, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set.

He was disliked by many inside and outside of the film industry due to his cold and controlling reputation. DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention.

A number of these displays were thought to be staged, however, as an exercise in discipline. This occurred with Victor Mature in Samson and Delilah.

Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille told the actor that he was "one hundred percent yellow".

Robinson with saving his career following his eclipse in the Hollywood blacklist. DeMille's film production career evolved from critically significant silent films to financially significant sounds films.

He began his career with reserved yet brilliant melodramas. From there, DeMille's style developed into marital comedies with outrageously melodramatic plots.

By , DeMille had perfected his film style of mass-interest spectacle films with Western, Roman, or Biblical themes. However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic.

Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation.

Griffith ," adding that DeMille, "[didn't have] According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant.

DeMille achieved international recognition for his unique use of lighting and color tint in his film The Cheat.

Notably, DeMille had cinematographer John P. Fulton create the parting of the Red Sea scene in his film The Ten Commandments , which was one of the most expensive special effects in film history, and has been called by Steven Spielberg "the greatest special effect in film history".

The actual parting of the sea was created by releasing , gallons of water into a huge water tank split by a U-shaped trough, overlaying it with film of a giant waterfall that was built on the Paramount backlot, and playing the clip backwards.

Aside from his Biblical and historical epics which are concerned with how man relates to God, some of DeMille's films contained themes of "neo-naturalism" which portray the conflict between the laws of man and the laws of nature.

DeMille discovered the possibilities of the "bathroom" or "boudoir" in film without being "vulgar" or "cheap".

His first three films were Westerns, and he filmed many Westerns throughout his career. However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda, Biblical spectacles, musical comedies, suspense, and war films.

At least one DeMille film can represent each film genre. DeMille's film contained a number of similar themes throughout his career.

However, the films of his silent era were often thematically different than the films of his sound era. His silent era films often included the "battle of the sexes" theme due to the era of women's suffrage and the enlarging role of women in society.

According to Simon Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality.

Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism in films such as The Crusades and The Road to Yesterday.

His first several films were westerns and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity and redemption found in Western America.

Known as the father of the Hollywood motion picture industry, Cecil B. DeMille made 70 films including several box-office hits.

According to Sam Goldwyn, critics did not like DeMille's films, but the audiences did and "they have the final word". However, his final films maintained that DeMille was still respected by his audiences.

DeMille of the digital era" due to his classical and medieval epics. Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously.

He consistently was criticized for producing shallow films without talent or artistic care. Compared to other directors, few film scholars have taken the time to academically analyze his films and style.

DeMille was left off the list, determined to be too unsophisticated and antiquated to be considered an auteur. Sarris added that despite the influence of styles of contemporary directors throughout his career, DeMille's style remained unchanged.

Robert Birchard wrote one could argue auteurship of DeMille on the basis that DeMille's thematic and visual style remained consistent throughout his career.

However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form. DeMille was one of the first directors to become a celebrity in his own right.

DeMille was respected by his peers, yet his individual films were sometimes criticized. In that respect, he was better than any of us", Wellman added.

Selznick wrote: "There has appeared only one Cecil B. He is one of the most extraordinarily able showmen of modern times. However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment.

I'm ready for my close-up. As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry.

Mankiewicz , and George Stevens to try producing epics. DeMille has influenced the work of several well-known directors.

Alfred Hitchcock cited DeMille's film Forbidden Fruit as an influence of his work and one of his top ten favorite films. Publicly Episcopalian, DeMille drew on his Christian and Jewish heritage to convey a message of tolerance.

DeMille was accused of antisemitism after the release of The King of Kings , [] and director John Ford despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent s.

It opened on December 13, and features some of DeMille's personal artifacts. DeMille Foundation in , the moving image collection of Cecil B.

DeMille is held at the Academy Film Archive and includes home movies, outtakes, and never-before-seen test footage.

They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there.

DeAldrin", as a humorous nod to DeMille. Demented alludes to DeMille. DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California.

DeMille Foundation donated the "Paradise" ranch to the Hathaway Foundation, which cares for emotionally disturbed and abused children.

Tom Perry Special Collections. DeMille received many awards and honors, especially later in his career. DeMille Award at the Golden Globes.

An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry.

The first, for radio contributions, is located at Hollywood Blvd. The second star is located at Vine Street. DeMille made 70 features.

The first 24 of his silent films were made in the first three years of his career Filmography obtained from Fifty Hollywood Directors.

These films represent those which DeMille produced or assisted in directing, credited or uncredited. DeMille frequently made cameos as himself in other Paramount films.

Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience.

From Wikipedia, the free encyclopedia. American filmmaker. Ashfield, Massachusetts , U. Hollywood , California, U. Constance Adams DeMille m.

Play media. Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture.

Now he wants to make the life of Moses. We should get down on our knees to Cecil and say "Thank you!

His family's Dutch surname, originally spelled de Mil , became de Mille when William deMille Cecil's grandfather added an "e" for "visual symmetry".

The boat was returned to him destroyed. DeMille gave up the boat and never bought another one. In she married actor Anthony Quinn.

DeMille had adopted him to avoid revealing the affairs to William's wife. The mistress could not keep the boy due to her tuberculosis.

Though the rally drew a good response, most Hollywood celebrities who took a public position sided with the Roosevelt - Truman ticket.

Sons-and daughters-in-law were required to call him "Mr. DeMille", and Richard deMille never recalled hugging his father, claiming he received handshakes instead.

He bought the rights to the novel in , but abandoned the project in pre-production. Consequently, most of DeMille's pre films no longer belong to Paramount.

DeMille follows the story of Brosnon's year journey to find and uncover the set. DeMille Award winner.

Autobiography of Cecil B. New York: Prentice Hall , New York: Da Capo Press. Dictionary of North Carolina Biography: Vol. Retrieved July 2, The New Yorker.

Conde Nast. Retrieved May 23, Retrieved April 21, DeMille plays". Internet Broadway Database. Retrieved: December 8, New York Dramatic Mirror , May 14, DeMille's Hollywood.

Lexington, Kentucky: University Press of Kentucky. Kentucky New Era. Retrieved April 29, Los Angeles Times.

Retrieved July 17, The Guardian. Retrieved May 24, Online Archive of California. California Digital Library. The New York Times.

The New York Times Company. January 22, The Montreal Gazette. Leiden: Brill. Retrieved June 20, Public Media Group of Southern California.

Retrieved May 30, DeMille Archives, ". Brigham Young University. Bank of America. Bank of America Corporation. Women Filmmakers in Early Hollywood.

Retrieved June 26, The Routledge Companion to Adaptation. New York: Routledge. Academy of Motion Picture Arts and Sciences. Retrieved November 12, New York: Doubleday.

Times Free Press. Retrieved December 19, Omnibus Press. Variety Media. DeMille " ". The Washington Post. Retrieved July 16, Lethbridge Herald.

April 7, CBS News. CBS Interactive. Time USA. May 7, Deseret News. Deseret News Publishing Company. Philadelphia: Running Press. Women Film Pioneers Project.

Retrieved July 11, July 31, Retrieved May 27, Leonard Maltin's Classic Movie Guide. New York: Plume. March 7, Journal of Religion and Popular Culture.

cecil b. demille

Cecil B. Demille Familienstand

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